STEVE RAZZETTI MOUNTAIN PHOTOGRAPHY AND JOURNALISM

BBC - MYTHS AND HEROES: THE QUEEN OF SHEBA

"I am the only daughter of the wise; utterly unknown to the foolish" 

- Inscription on the Queen of Sheba's robe, according to St Thomas Aquinas 

 

This was the second of the four films made for the BBC / PBS by MayaVision International and presenter Michael Wood. Our journey in search of this mythical Queen took us from Israel to Jordan, Egypt, Eritrea, Yemen and Ethiopia... 

  • Detail of a painting at Axum, EthiopiaNikon F5, 17-35mm, Fuji Velvia 100
  • Dancing during Easter celebrations on the roof of the church of the Holy Sepulchre, JerusalemNikon F5, 17-35mm, Fuji Velvia 100
  • A pilgrim follows the service in the the Chapel of the Ethiopians (on the roof of the Chapel of St. Helena), at the church of the Holy Sepulcher in Jerusalem on Easter Sunday.Nikon F5, 17-35mm, Fuji Velvia 100
  • The Assistant to the Archebishop of the Ethiopian Orthodox church in Jerusalem reads the service on Easter Sunday nightNikon F5, Fuji Velvia 100, 17-35mm
  • Ethiopian orthodox priest outside the chapel, which is on the roof of the Church of the Holy SepulcherNikon F5, 17-35mm, Fuji Velvia
  • Director / cameraman Jeremy Jeffs at workNikon F5, 17-35mm, Fuji Velvia 100
  • Before sunrise, from the Mount of OlivesNikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 17-35mm, Fuji Velvia 100
  • Pilgrims leaving this tiny church, which is within the Church of the Holy Sepulcher and directly above the tomb of Christ.Nikon F5, 17-35mm, Fuji Velvia 100
  • An orthodox priest in the Church of the Anastasis, JerusalemNikon F5, 17-35mm, Fuji Velvia 100
  • Waiting to view the interior of the Church of the Anastasis, within the Church of the Holy Sepulcher, JerusalemNikon F5, 17-35mm, Fuji Velvia 100
  • Morning light on the Dome of the Rock / Al Aqsa, JerusalemNikon f5, 17-35mm, Fuji Velvia 100
  • A spice and incence merchantNikon F5, 17-35mm, Fuji Velvia 100
  • From the 11th floor of the Sheraton Plaza hotelNikon F5, 180mm, Fuji Velvia 100
  • Supposedly built on the spot where St. Peter denied Jesus three timesNikon F5, 17-35mm, Fuji Velvia 100
  • On their way to pray at the Wailing Wall, JerusalemNikon F6, 180mm, Fuji Velvia 100
  • A Hassidic Jew crossing the large space that has been cleared in front of this focal point of Jewish religious activityNikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • Hassidim in conversationNikon F5, 180mm, Fuji Velvia 100
  • The sad and insidious side of the Zionist enterprise - the {quote}{quote}security{quote} wall under construction, separating Palestinian and JewNikon F5, 180mm, Fuji Velvia 100
  • Michael Wood, cameraman Jeremy Jeffs and the MayaVision / Highlight films teamNikon F5, 17-35mm, Fuji Velvia 100
  • The {quote}Obelisk Tomb{quote} in the Wadi Musa or {quote}Siq{quote}Nikon F5, 17-35mm, Fuji Velvia 100
  • Facade of the {quote}Palace Tomb{quote}Nikon F5, 17-35mm, Fuji Velvia 100
  • The {quote}Corinthian Tomb{quote}Nikon F5, 17-35mm, Fuji Velvia 100
  • The River Nile and the city, from El Giza bridgeNikon F5, 180mm, Fuji Velvia 100
  • The cty and the River Nile, from El Giza bridgeNikon F5, 17-35mm, Fuji Velvia 100
  • The pyramids at Giza at duskNikon F5, 17-35mm, Fuji Velvia 100
  • The pyramids at Giza after nightfallNikon F5, 17-35mm, Fuji Velvia 100
  • The Sphynx at Giza, floodlit at nightNikon F5, 180mm, Fuji Velvia 100
  • Hatshepsut's Tomb on the west bank of the Nile, opposite Karnak. This is a standing Osiris (god of the dead) statue against a pillar on the opper tier of this sensational buildingNikon F5, 180mm, Fuji Velvia 100
  • Statues of Osiris on the upper tierNikon F5, 180mm, Fuji Velvia 100
  • The face of Osiris, great god of the dead, on the upper tierNikon F5, 17-35mm, Fuji Velvia 100
  • Detail of relief wall muralNikon F5, 17-35mm, Fuji Velvia 100
  • On the wall of the second tier of this stupendous building is a huge relief mural depicting Hatshepsut's great expedition to the land of Punt. This is a detail.Nikon F5, 17-35mm, Fuji Velvia 100
  • One of the custodians on the upper tierNikon F5, 17-35mm, Fuji Velvia 100
  • Detail of a relief muralNikon F5, 17-35mm, Fuji Velvia 100
  • The row of ram's headed sphynxes lining the entrance to the Precinct of Amon-ReNikon F5, 17-35mm, Fuji Velvia 100
  • The obelisk of Hatshepsut (30m high)Nikon f5, 17-35mm, Fuji Velvia 100
  • Sailing at sunsetNikon F5, 17-35mm, Fuji Velvia 100
  • The presenter of {quote}In Search of Myths and Heroes{quote}, high over the Nile valley and the town of Luxor (Egypt) in the basket of a hot-air balloonNikon F5, 17-35mm, Fuji Velvia 100This image © Maya Vision International 2004
  • From an altitude of 1000m in a hot-air balloonNikon F5, 17-35mm, Fuji Velvia 100
  • An aerial view of this sensational site in the Valley of Queens on the west bank of the Nile in EgyptNikon F5, 17-35mm, Fuji Velvia
  • With teachers Lamya and Iman at the primary school in Quseir, a village on the Red Sea coast of EgyptNikon F5, 17-35mm, Fuji Velvia 100This image © Maya Vision International 2004
  • A merchant in this sleepy town on the Red Sea coastNikon F5, 17-35mm, Fuji Velvia 100
  • Fruit and vegetables for sale on the Red Sea coastNikon F5, 17-35mm, Fuji Velvia 100
  • Looking inland from this ancient site on the Red Sea coastNikon F5, 180mm, Fuji Velvia 100
  • Sailing up the Red Sea by dhow from Massawa to Adoulis in EritreaNikon F5, 17-35mm, Fuji Velvia 100This image © Maya Vision International 2004
  • In ancient times, Adoulis was a major Greek port on the Red Sea, at the forefront of trade between Nubia and Yemen. Legend holds that it was the main harbour of the Queen of Sheba's domains. Today it is an un-excavated archeological site. This man, from a nearby village, showed us around. Nikon F5, 17-35mm, Fuji Velvia 100
  • The once magnificent gates to Haile Selassie's palace in Massawa. During the independence war of 1991 the Ethiopians defended this precious building to the last, and it sustained serious damage.Nikon F5, 17-35mm, Fuji Velvia 100
  • Amongst the rubble strewn about Haile Selassie's palace in Massawa, Eritrea, lies this shattered statueNikon F5, 17-35mm, Fuji Velvia 100
  • The one intact statue remaining in the gardens of Haile Selassie's palace in Massawa, ErtitreaNikon F5, 17-35mm, Fuji Velvia 100
  • Entrance to a shop in this sleepy Red Sea portNikon F5, 17-35mm, Fuji Velvia 100
  • Minaret of the {quote}Grande Mosque{quote} in the town centreNikon F5, 180mm, Fuji Velvia 100
  • Import / Export company sign near the old harbour. Massawa is the biggest deep-water port in the Read Sea, and was once the headquarters of the Ethiopian navyNikon F5, 180mm, Fuji Velvia 100
  • Barber's shopNikon F5, 17-35mm, Fuji Velvia 100
  • General provisions storeNikon F5, 17-35mm, Fuji Velvia 100
  • A view inland from the capital of Hadramawt on the Arabian Sea
  • A view to the mountainous interior of the Hadramawt from the Arabian Sea coast between Bir Ali and al-MukallaNikon F5, 17-35mm, Fuji Velvia 100
  • A shrub in bloom on a hillside near Bir Ali on the Arabian Sea coast. Anyone able to identify this plant and email this information to me?Nikon F5, 17-35mm, Fuji Velvia 100
  • Taking tea in an open-air restaurant in this sleepy town on the coast of the Arabian SeaNikon F5, 180mm, Fuji Velvia 100
  • An outdoor tea-shop and fish restaurant in this sleepy town on the coast of the Arabian SeaNikon F5, 180mm, Fuji Velvia 100
  • Taking tea and conversation at an outdoor cafe in this sleepy town on the coast of the Arabian SeaNikon F5, 180mm, Fuji Velvia
  • Passed on our journey from al-Mukalla to Shibam in the HadramawtNikon F5, 180mm, Fuji Velvia 100
  • The town of Robat, at the head of this large wadi in the HadramawtNikon F5, 17-35mm, Fuji Velvia
  • A typical fortified Yemeni house, built of mud bricks, in the HadramawtNikon F5, 180mm, Fuji Velvia 100
  • Surely on of the wonders of Arabia, it was Thesiger's monochromes of this place that first kindled my desire to see the Yemen. The 16th century town was gazetted as a World Heritage site by UNESCO in 1982. Here, the multi-storied mud houses that comprise the old town are seen at night from the roof of the government rest-houseNikon F5, 17-35mm, Fuji Velvia 100
  • As the afternoon shadows come to the narrow streets and alleyways between the multi-storied houses of this fantastic town, the menfolk gather to talk and chew qatNikon F5, 17-35mm, Fuji Velvia 100
  • After Friday prayers at the Great Mosque, vegetable sellers ply their trade in the shade of the minaretsNikon F5, 17-25mm, Fuji Velvia 100
  • Some of the mud-brick houses are 15 stories high and rise to over 40 metres. The walls at the base are 2m thick, and the upper stories coated with many layers of alabasterNikon F5, 17-35mm, Fuji Velvia 100
  • Detail of typical houses, showing the main doorways and 2m thick bases of the mud-brick wallsNikon F5, 17-35mm, Fuji Velvia
  • A typical house door in the old walled townNikon F5, 17-35mm, Fuji Velvia 100
  • House door detailNikon F5, 17-35mm, Fuji Velvia 100
  • Street-scene in the old walled townNikon F5, 17-35mm, Fuji Velvia
  • Young boys at the madrasseh at the Great MosqueNikon F5, 17-35mm, Fuji Velvia 100
  • In Shibbam, Wadi Hadramawt, YemenNikon F5, 17-35mm, Fuji Velvia 100This image © Maya Vision International 2004
  • Typical multi-storied mud-brick houses in the old walled townNikon F5, 17-35mm, Fuji Velvia
  • A view over the courtyard of the Grand Mosque from the roof of an adjacent houseNikon F5, 17-35mm, Fuji Velvia 100
  • Yemeni hospitality! It never ceases to amaze me that in spite of peoples' perceptions of the aggressive foreign policies of our governments, we are still universally greeted with courtesy and genuine hospitality. To my mind, this is a true measure of civilization. This man invited us up to see the city from the roof of his house.Nikon F5, 17-35mm, Fuji Velvia 100
  • The C16 walled town, seen from a nearby hillNikon F5, 180mm, Fuji Velvia 100
  • Dusk over the old walled town. Pure Arabian magic!Nikon F5, 17-35mm, Fuji Velvia 100
  • The grand mosqueNikon F5, 17-35mm, Fuji Velvia 100
  • Morning light on the old walled town, from the surrounding fieldsNikon F5, 17-35mm, Fuji Velvia 100
  • The old walled town from the surrounding fieldsNikon F5, 17-35mm, Fuji Velvia 100
  • Our driver, Abdul Gawi ({quote}Abdul the Strong{quote}), inspects his daily qat rations. Qat is a mildly narcotic plant, the ritual chewing of which an institution in Yemen. I strongly recommend reading {quote}Eating The Flowers of Paradise{quote} by Kevin Rushby for a real insight into this whole scene.Nikon F5, 17-35mm, Fuji Velvia 100
  • A typical Yemeni mosque, probably dating to the C16Nikon F5, 17-35mm, Fuji Velvia 100
  • A baker prepares the dough for delicious unleavened breadNikon F5, 17-35mm, Fuji Velvia
  • The proprietor of an ice-shopNikon F5, 180mm, Fuji Velvia 100
  • In the marketNikon F5, 180mm, Fuji Velvia 100
  • Taken on our journey across the corner of this vast expanse of the most inhospitable terrain on earth between Shibam and ShabwaNikon F5, 17-35mm, Fuji Velvia 100
  • The ruins of Shabwa, once a flourishing South Arabian city on the incense route, with as many as sixty templesNikon F5, 17-35mm, Fuji Velvia 100
  • A Bedouin living by the ruins of this once magnificent cityNikon F5, 17-35mm, Fuji Velvia 100
  • A Bedouin living by the ruins of this once magnificent cityNikon F5, 17-35mm, Fuji Velvia 100
  • A Bedouin man in the desert near this once magnificent cityNikon F5, 17-35mm, Fuji Velvia
  • A Bedouin family living by the ruins of this once magnificent cityNikon F5, 17-35mm, Fuji Velvia 100
  • Crossing the desert from Shibbam to Shabwa in the Hadramawt, YemenNikon F5, 17-35mm, Fuji Velvia 100
  • A roadside qat seller displays his waresNikon F5, 17-35mm, Fuji Velvia 100
  • Two Bedouin men at a roadside qat-stopNikon F5, 17-35mm, Fuji Velvia 100
  • The ruins of old Marib, ancient capital of the kingdom of Saba, and most probable seat of the Queen of ShebaNikon F5, 17-35mm, Fuji Velvia 100
  • An inscription on the altar-stone at the Bar'an temple at Marib. This temple was known as the Throne of Bilquis (The Queen of Sheba), and was dedicated to Almaqah, Lord of the Moon. We saw similar inscriptions at Yeha in Ethiopia. Nikon F5, 17-35mm, Fuji Velvia 100
  • 12m high stone monoliths standing in front of the inner sanctumNikon F5, 17-35mm, Fuji Velvia 100
  • Several of the altar stones are still in place at this beautifully preserved and recently excavated temple in central YemenNikon F5, 17-35mm, Fuji Velvia 100
  • On the outskirts of the modern town of Marib lies this mound of rubble and earth, upon which the final decaying remnants of a once great citadel still stand. This is Marib, where a few poor folk still eek out a precarious existance amid the ruins. Above the doorways of some of the crumbling houses there are still inscriptions in Sabaean. At the base of the mound, the monoliths of a three thousand year-old Sabaean temple can still be seen, incorporated into the wall of a much later mosque.Nikon F5, 17-35mm, Fuji Velvia 100
  • One of the last surviving houses on the mound that once was the citadel of MaribNikon F5, 17-35mm, Fuji Velvia 100
  • There is a palpable sense of mystery and antiquity here amongst the ruins of Marib. Here, in the middle of some of the most inhospitable desert on earth, there lived three thousand years ago a sophisticated urban population of between 30 and 60,000, surrounded by lush gardens, orchards and farmland.
  • Completed in the 8th century BC, this was the key to Marib's existance in such a place. The stonework is of phenomenal quality, with sluices and anchor towers rising to a height of 18 metres. The dam was 750 metres across and held back water to a depth of 15m, which was used to irrigate an area of over 100 square kilometersNikon F5, 17-35mm, Fuji Velvia 100
  • Two young boys at the great dam of MaribNikon F5, 17-35mm, Fuji Velvia 100
  • A view across the valley where the dam once held back a great lake. The sluices are still intact, and the anchor tower on the far side can be seen at the left of the picture, 750m awayNikon F5, 17-35mm, Fuji Velvia 100
  • The ruins of a palace adjacent to the citadel moundNikon F5, 17-35mm, Fuji Velvia 100
  • Young boys on the outskirts of the new townNikon F5, 17-35mm, Fuji Velvia 100
  • Sunset across the fields on the outskirts of the new town. A new dam was constructed in the 1960's, and irrigation recommencedNikon F5, 180mm, Fuji Velvia 100
  • On the journey from Marib back to Sana'a, our drivers stopped to replenish their supplies at this roadside stallNikon F5, 17-35mm, Fuji Velvia 100
  • Entering the old city from Bab al YemenNikon F5, 17-35mm, Fuji Velvia 100
  • A carpet seller in the main suqNikon F5, 17-35mm, Fuji Velvia 100
  • Hawkers in the main suqNikon F5, 17-35mm, Fuji Velvia 100
  • The fairytale skyline of the old cityNikon F5, 17-35mm, Fuji Velvia 100
  • A tin-smith in the old cityNikon F5, 17-35mm, Fuji Velvia 100
  • Making djambiyahs (decorative daggers worn by most Yemeni men) in the old suqNikon F5, 17-35mm, Fuji Velvia 100
  • Appling metallic inlaid decoration to the handle of a djambiyah (dagger) in the old suqNikon F5, 17-35mm, Fuji Velvia
  • Outside a djambiyah shop in the old suqNikon F5, 17-35mm, Fuji Velvia 100
  • A spice sellerNikon F5, 17-35mm, Fuji Velvia 100
  • A spice sellerNikon F5, 17-35mm, Fuji Velvia 100
  • Spice and incense sellersNikon F5, 17-35mm, Fuji Velvia 100
  • Boys selling pulses in the main SuqNikon F5, 17-35mm, Fuji Velvia 100
  • The roof-tops and minarets of the old cityNikon F5, 17-35mm, Fuji Velvia 100
  • Mud-brick and alabaster houses in the old cityNikon F5, 17-35mm, Fuji Velvia
  • At the Bab al-Yemen, entrance to the old cityNikon F5, 180mm, Fuji Velvia 100
  • Cobbler in the old cityNikon F5, 17-35mm, Fuji Velvia 100
  • Selling frankincense in the main suqNikon F5, 17-35mm, Fuji Velvia 100
  • City skylineNikon F5, 17-35mm, Fuji Velvia 100
  • Dressed in the traditional white robes of the Ethiopian orthodox churchNikon F5, 180mm, Fuji Velvia 100
  • Ethiopian pilgrims in their traditional white robes wait outside this historic church for the Sunday serviceNikon F5, 180mm, Fuji Velvia 100
  • Pilgrims waiting for the Sunday serviceNikon F5, 180mm, Fuji Velvia 100
  • Kessis Dessaleng Simeneh of the Ethiopian Orthodox Church shows us the priceless Kebra Negast. This is a 13th Century re-write of {quote}The Laws of the Kings{quote}, which traces the lineage of the Kings of Ethiopia from the Biblical Solomon, and on it rested the authority of the Ethiopian monarchs. Written in Amharic on sheepskin, this is the only copy in Ethiopia today. It was one of two taken by Lord Kitchener when he invaded. In 1892, Emporer Johannes of Ethiopia petitioned Queen Victoria for their return (a copy of the petition, in Amharic, is also on the desk). The other is still in the British Museum in London.Nikon F5, 17-35mm, Fuji Velvia 100
  • At the Raguel Church in Addis Ababa, EthiopiaNikon F5, 17-35mm, Fuji Velvia 100
  • An orthodox service in progress in the courtyardNikon F5, 180mm, Fuji Velvia 100
  • Beggars outside the Raguel orthodox churchNikon F5, 180mm, Fuji Velvia 100
  • The precise purpose of these huge stelae is unknown, but Axum is claimed by Ethiopian scriptures to have been the seat of the Ethiopian kings as early as 4370BC. Archaeological evidence suggests that Axum dates from much later - around the first century ADNikon F5, 17-35mm, Fuji Velvia 100
  • Nikon F5, 17-35mm, Fuji Velvia 100
  • At the Church of St Mary Zion, AxumNikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • A newly married couple pose for pictures beneath the great stelaeNikon F5, 180mm, Fuji Velvia
  • {quote}Make a joyful noise unto God{quote}Nikon F5, 180mm, Fuji Velvia 100
  • Singing and shaking their sistra (rattles) in the courtyard by the basilicaNikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • Worshippers on the steps outside the great basilicaNikon F5, 180mm, Fuji Velvia 100
  • In the great basilica of the St Mary Zion Church, where the Ethiopian Kings were crowned - the last being H.I.M. Haile Selassie on November 30th 1930Nikon F5, 17-35mm, Fuji Velvia 100
  • In the great basilica of the St Mary Zion Church, showing pilgrims shaking their sistra (rattles) and beating drumsNikon F5, 17-35mm, Fuji Velvia 100
  • Orthodox cross carved on the outside of the basilicaNikon F5, 17-35mm, Fuji Velvia 100
  • Kess Gebeze Welde Gorgis Weld Gebrial, on the steps of the great basilica where Haile Selassie was crowned in 1930Nikon F5, 17-35mm, Fuji Velvia 100
  • Great colours!Nikon F5, 17-35mm, Fuji Velvia 100
  • Beneath the cliffs from which we had just descended at the end of a long day's filming. The walkway into the monastery is visible atop the rocks above, and access is gained via ropes made of frayed, knotted hidesNikon F5, 17-35mm, Fuji Velvia 100
  • Dating from early Axumite times, this fabulous monastery in the Tigray district of Ethiopia looks out over the hills forming the border with Eritrea. It is situated atop a rocky plateau accessible only by rope up a vertical cliff. Nikon F5, 17-35mm, Fuji Velvia 100
  • This is said to be the oldest church in Ethiopia, built in the 6th centuryNikon F5, 17-35mm, Fuji Velvia 100
  • At Debre Damo monastery, Tigray, EthiopiaNikon F5, 17-35mm, Fuji Velvia 100This image © Maya Vision International 2004
  • The buildings of this ancient establishment are scattered across this inaccessible plateau. Rainwater is collected in cisterns for use during the summer, and nothing female is allowed within its precinctsNikon F5, 17-35mm, Fuji Velvia 100
  • Ras Dashan, the highest peak in this range, rises to 4520mNikon F5, 180mm, Fuji Velvia 100
  • A view south towards the Simien mountains from this hilltop sanctuary in TigrayNikon F5, 17-35mm, Fuji Velvia 100
  • Samson was our {quote}fixer{quote} in Ethiopia, capably handling everything from meetings with government ministers to making the morning cofee. Thanks Samson!Nikon F5, 17-35mm, Fuji Velvia
  • Nikon F5, 17-35mm, Fuji Velvia 100
  • Near the ancient capital of the pre Axumite kingdom of Da'amat, YehaNikon F5, 17-35mm, Fuji Velvia 100
  • A man crossing the central plaza of the townNikon F5, 180mm, Fuji Velvia 100
  • Nikon F5, 180mm, Fuji Velvia 100
  • The Orthodox abbot of Yeha, outside his churchNikon F5, 17-35mm, Fuji Velvia 100
  • Custodian of the museumNikon F5, 17-35mm, Fuji Velvia 100
  • Sabaean characters carved on masonry excavated from the ancient capital of the kingdom of Da'amat. These 2500 year old relics are in the museum at Yeha, in the Ethiopian province of TigrayNikon F5, 17-35mm, Fuji Velvia 100
  • In a dusty old cabinet in the museum at Yeha I spotted these old silver church jewelsNikon F5, 17-35mm, Fuji Velvia 100
  • The ruins of a once magnificent temple or mausoleum, dating from the 5th century BCNikon F5, 17-35mm, Fuji Velvia 100
  • The rear wall of this magnificent edificeNikon F5, 17-35mm, Fuji Velvia 100
  • Stone relief on the exterior wall of the orthodox church next to the Enda Abuna Afse, depicting abstact ibex formsNikon F5, 17-35mm, Fuji Velvia 100
  • A boy stands at the door to the orthodox church next to the Enda Abuna AfseNikon F5, 17-35mm, Fuji Velvia 100
  • Men in the centre of the townNikon F5, 17-35mm, Fuji Velvia
  • Kids in the town centreNikon F5, 180mm, Fuji Velvia 100
  • Men in the town centreNikon F5, 180mm, Fuji Velvia 100
  • Worshippers arriving at the orthodox church within the precinct of this ancient site in TigrayNikon F5, 17-35mm, Fuji Velvia 100
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