STEVE RAZZETTI MOUNTAIN PHOTOGRAPHY AND JOURNALISM

HIMALAYA: INDIAN HIMALAYA

"The land north of Gangadwar is known to the wise as Paradise Ground. 

Apart from this land, the rest is called Earth ealsewhere." 

Kedarkhand (Skanda Purana) 

"There is no happiness for him who does not travel, Rohita! 

Thus we have heard. Living in the society of men, the best man becomes a sinner...therefore, wander!...The fortune of him who is sitting, sits; it rises when he rises; it sleeps when he sleeps; it moves when he moves. Therefore, wander!" 

Aitareya Brahmanan in the Rigveda, 800BC 

JUNE 2018 LATEST 

I recently returned from my first visit to India in over ten years. I was last there in 2004 filming with Michael Wood for the BBC / PBS series "In Search of Myths and Heroes", when we visited Delhi, Haridwar, Badrinath and Mana. This time I was helping Geraldine Westrupp of Wild Photography Holidays lead a trip to the source of the Ganges. Delhi, Rishikesh, Uttarkashi, Gangotri, Gaumukh, Raithal and Haridwar. Les emphasis on the trekking and mountaineering side of Himalayan travel than I am used to, but fantastic to immerse ourselves in the colourful culture of the Indian Himalaya. The first 160 or so images in this gallery are new material from this trip, followed by mountain shots from previous visits. The Myths and Heroes images are in their own gallery - Shangri La.  

  • Chilling out on the street near Turkhman Gate
  • On the escalator
  • A Hindu sadhu
  • Reversing a new engine onto the front of the Shatabdi Express at Saharanpur Junction
  • Carriage sign
  • Street food
  • Taking the temple for a walk!
  • Sadhu at Rishikesh, Uttarakhand
  • Sadhu at Rishikesh, Uttarakhand
  • This guy sits outside this popular restaurant all day. Cant be good for his complexion!
  • The most well known Ganga Aarti in Rishikesh is held on the banks of the river at Parmarth Niketan ashram. It's a much more intimate and relaxed affair than the aartis at Haridwar and Varanasi, and is devoid of the theatrics as well. Many people prefer it for these reasons. They find it much more spiritual.Instead of being performed by pandits, the Ganga Aarti at Parmarth Niketan is organized and performed by ashram residents, particularly the children who are studying the Vedas there. The ceremony commences with the singing of bhajans (devotional songs), prayers, and a hawan (a purifying and sacred ritual that takes place around a fire, with the offerings made to Agni, the fire god). The lamps are lit and the aarti occurs as the final part of the ceremony. The children sing along with the spiritual head of the ashram, in sweet, haunting voices. A huge statue of Lord Shiva overlooks the proceedings.
  • Presiding over the Aarti Ceremony at Rishikesh, Uttarakhand, India
  • The most well known Ganga Aarti in Rishikesh is held on the banks of the river at Parmarth Niketan ashram. It's a much more intimate and relaxed affair than the aartis at Haridwar and Varanasi, and is devoid of the theatrics as well. Many people prefer it for these reasons. They find it much more spiritual.Instead of being performed by pandits, the Ganga Aarti at Parmarth Niketan is organized and performed by ashram residents, particularly the children who are studying the Vedas there. The ceremony commences with the singing of bhajans (devotional songs), prayers, and a hawan (a purifying and sacred ritual that takes place around a fire, with the offerings made to Agni, the fire god). The lamps are lit and the aarti occurs as the final part of the ceremony. The children sing along with the spiritual head of the ashram, in sweet, haunting voices. A huge statue of Lord Shiva overlooks the proceedings.Crowds on the banks of the Ganges as the ceremony reaches its climax
  • Hanuman is one of the central characters in the various versions of the epic Ramayana. In this huge statue at Rishikesh he is showing Rama and Sita in his heart.
  • A Hindu priest with aarti lampsThe most well known Ganga Aarti in Rishikesh is held on the banks of the river at Parmarth Niketan ashram. It's a much more intimate and relaxed affair than the aartis at Haridwar and Varanasi, and is devoid of the theatrics as well. Many people prefer it for these reasons. They find it much more spiritual.Instead of being performed by pandits, the Ganga Aarti at Parmarth Niketan is organized and performed by ashram residents, particularly the children who are studying the Vedas there. The ceremony commences with the singing of bhajans (devotional songs), prayers, and a hawan (a purifying and sacred ritual that takes place around a fire, with the offerings made to Agni, the fire god). The lamps are lit and the aarti occurs as the final part of the ceremony. The children sing along with the spiritual head of the ashram, in sweet, haunting voices. A huge statue of Lord Shiva overlooks the proceedings.
  • Lime soda stall on the banks of the Ganges at night.
  • Modern India summed up in a single picture?
  • Sadhu at Rishikesh, Uttarakhand
  • Sadhu smoking his chillum at Rishikesh, Uttarakhand
  • Sadhu at Rishikesh, Uttarakhand
  • Pilgrim Family at Rishikesh
  • Sadhu at Rishikesh, Uttarakhand
  • Sadhus at Rishikesh, Uttarakhand
  • Sadhu at Rishikesh, Uttarakhand
  • Sadhu at Gangotri, Uttarakhand
  • Sadhu at Rishikesh
  • On the opposite bank of the Ganga from the Parmanth Niketan Ashram, this more relaxed and informal aarti ceremony takes place
  • On the opposite bank of the Ganga from the Parmanth Niketan Ashram, this more relaxed and informal aarti ceremony takes place
  • On the opposite bank of the Ganga from the Parmanth Niketan Ashram, this more relaxed and informal aarti ceremony takes place
  • On the opposite bank of the Ganga from the Parmanth Niketan Ashram, this more relaxed and informal aarti ceremony takes place
  • From the road just below Gangotri. First climbed in May 1981 by an expedition led by Harish Kapadia
  • One of a series of cataracts over which the Bhagirathi / Ganga river tumbles at Gangotri
  • I met this man whilst photographing the waterfalls. He had a similar camera to mine and was very keen to learn about technique...
  • A view up-valley to Sudarshan Parbat
  • The temple courtyard
  • Gangotri Temple
  • I met three brothers from Gujrat by the river, and they soon had their entire entourage assembled for this picture...
  • A couple of kilometres below the town of Gangotri there lives a sadhu in a cave under an enormour boulder. The Indian family we met coming out of his abode when we arrived said that he was grumpy. He was not pleased to have so many people taking his picture, but inexplicably offered me a cup of tea...
  • At Chirbasa, above Gangotri
  • The Bhagirathi group totally dominate the skyline ahead as you walk up the Ganges / Bhagirathi valley towards Gaumukh. The central peak, Bhagirathi III, is the lowest of the three at 6454m, but arguably the most spectacular. In this picture the enormous amphitheatre on the SW side of the mountain is clearly visible, with the incrdible line climbed by Allen Fyffe and Bob Barton in 1982 up the right hand side. Bhagirathi I (6856m) towers beyond.Nikon D300, 180mm. Taken at sunrise from Chirbasa.
  • The Bhagirathi group totally dominate the skyline ahead as you walk up the Ganges / Bhagirathi valley towards Gaumukh. The central peak, Bhagirathi III, is the lowest of the three at 6454m, but arguably the most spectacular. In this picture the enormous amphitheatre on the SW side of the mountain is clearly visible, with the incrdible line climbed by Allen Fyffe and Bob Barton in 1982 up the right hand side. Bhagirathi I (6856m) towers beyond.Nikon D300, 180mm, Afternoon light from Bhojbas
  • The southern flanks of the valley with Manda I (6510m) just visible.
  • With the Manda Himal beyond
  • On the trail to Gaumukh in the Bhagirathi valley above Gangotri.
  • At Chirbasa, with the Bhagirathi peaks straight ahead up valley.
  • On the trail up to Gaumukh from Bhojbas in the Bhagirathi valley. Early in the morning. Ahead are the Bhagirathi peaks, and Shivling is just appearing to the south.
  • On the trail up to Gaumukh from Bhojbas in the Bhagirathi valley. Early in the morning. Ahead are the Bhagirathi peaks, and Shivling is just appearing to the south.
  • A sadhu just below the source of the Ganges / Bhagirathi at the snout of the Gangotri glacier. Shivling towers behind him.
  • The source of the Ganges / Bhagirathi river above Gangotri in Uttarakhand.
  • One of our porters poses with a Shival Lingum with Gaumukh and the snout of the Gangotri glacier beyond. Bhagirathi npeaks ahead and Shivling behind the flag to the right.
  • From Bhojbas in the Bhagirathi valley, Uttarakhand
  • Bhagirathi III (6454m) catching the last rays of the sun, and Bhagirathi II (6512m) from Bhojbas in the Bhagirathi valley, Uttarakhand. Nikon D300, 180mm
  • From above Bhojbas in the Bhagirathi valley, Uttarakhand
  • From Bhojbas in the Bhagirathi valley. Left to right; Bhagirathi II (6512m), Bhagirathi III (6454m) and Bhagirathi I (6856m). Nikon D300, 60mm
  • Bhagirathi III (6454m) and I (6856m) towering above the Gangotri glacier in Uttarakhand, IndiaNikon D300, 180mm
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  • The NE face seen from a ridge above ThangshingSikkim, IndiaProject VeronicaMedium format images re-scanned in a professional glass film- holder with my Nikon Coolscan 9000 and Silverfast 8 software. These images display larger on the site - enjoy!Bronica ETRSi, 150mm, Fuji RDP2
  • The NE face from Dzongri, Sikkim, IndiaProject VeronicaMedium format images scanned in a professional glass film- holder with my Nikon Coolscan 9000 and Silverfast 8 software. These images display larger on the site - enjoy!Bronica ETRSi, 150mm, Fuji RDP2
  • Seen from the Goecha La,Sikkim, IndiaProject VeronicaMedium format images re-scanned in a professional glass film- holder with my Nikon Coolscan 9000 and Silverfast 8 software. These images display larger on the site - enjoy!Bronica ETRSi, 50mm, Fuji RDP2
  • Seen from atop a ridge above Dzongri, Sikkim, IndiaNikon FM2, 24mm, Fuji Velvia
  • Seen from atop a ridge above Dzongri, Sikkim, IndiaNikon FM2, 24mm, Fuji Velvia
  • Nikon FM2, 24mm, Fuji Velvia
  • Nikon FM2, 24mm, Fuji Velvia
  • From the Goecha La,Sikkim, IndiaProject VeronicaMedium format images re-scanned in a professional glass film- holder with my Nikon Coolscan 9000 and Silverfast 8 software. These images display larger on the site - enjoy!Bronica ETRSi, 150mm, Fuji RDP2
  • Sikkim Himalaya, IndiaNikon FM2, 24mm, Fuji Velvia
  • The Sandkphu ridge is a lower section of the Singalila. This was taken on a spring trek there, hence the rhododendrons in bloom.Nikon FM2, 24mm, Fuji Velvia
  • An early morning shot from the ridge above Sandakphu LodgeNikon FM2, 24mm, Fuji Velvia
  • On the Singalila RidgeNikon FM2, 24mm, Fuji Velvia
  • Near SandakphuNikon FM2, 24mm, Fuji Velvia
  • Nikon FM2, 50mm, Fuji Velvia
  • Novice monksNikon FM2, 24mm, Fuji Velvia
  • A young Sikkimese boyNikon FM2, 50mm, Fuji Velvia
  • In the bazaarNikon FM2, 50mm, Fuji Velvia
  • In the bazaarNikon FM2, 50mm, Fuji Velvia
  • Trekkers on the trail to Milam from MunsiariBronica ETRSi, 50mm, Fuji Provia
  • Chillies, harvested in the Gori Ganga valley below MilamBronica ETRSi, 75mm, Fuji Provia
  • Milam was once a thriving commercial centre on a trade route to Tibet. The Chinese put a stop to all that, and the town is now a crumbling reminder of a once prosperous era. A few hardy folk remain.Bronica ETRSi, 75mm, Fuji Provia
  • Milam was once a thriving commercial centre on a trade route to Tibet. The Chinese put a stop to all that, and the town is now a crumbling reminder of a once prosperous era. A few hardy folk remain.Bronica ETRSi, 75mm, Fuji Provia
  • Milam was once a thriving commercial centre on a trade route to Tibet. The Chinese put a stop to all that, and the town is now a crumbling reminder of a once prosperous era. A few hardy folk remain.Bronica ETRSi, 75mm, Fuji Provia
  • Milam was once a thriving commercial centre on a trade route to Tibet. The Chinese put a stop to all that, and the town is now a crumbling reminder of a once prosperous era. A few hardy folk remain.Bronica ETRSi, 75mm, Fuji Provia
  • From the Milam Glacier, Johar, UttaranchalBronica ETRSi, 150mm, Fuji Provia
  • The summits of Nanda Devi (7816m) and Nanda Devi East (7434m) from near Kalgudi Bhel KhalNikon F90X, 180mm, Fuji Velvia
  • A telephoto of this stunning peak east of the Trisul group,from high on the Kagundi Bhel Khal ridgeNikon F90X, 180mm, Fuji Velvia
  • Early morning silhouette from the eastertn side of the Sudamkhan Khal passNikon F90X, 180mm, Fuji Velvia
  • From high above Munsiari in the Gauri Ganga valleyNikon F90X, 180mm, Fuji Velvia
  • Seen looking up the Milam glacier from Sandilya Kund (3780m)Nikon FM2, 105mm, Fuji Velvia
  • Above Leh in the Indus ValleyCanon A1, 28mm, Kodachrome 64
  • At Hemis GompahBronica ETRSi, 75mm, Fuji Provia
  • Ladakh, IndiaCanon A1, 50mm, Kodachrome 64
  • In the Indus Valley near Leh, LadakhCanon A1, 50mm, Kodachrome 64
  • Canon A1, 50mm, Kodachrome 64
  • Markha Valley trek, Ladakh, IndiaCanon A1, 28mm, Kodachrome
  • Canon A1, 50mm, Kodachrome
  • Canon A1, 28mm, Kodachrome
  • Canon A1, 28mm, Kodachrome
  • View south from a rooftop in LehCanon A1, 28mm, Kodachrome
  • Canon A1, 50mm, Kodachrome
  • Zanskar, IndiaCanon A1, 50mm, Kodachrome
  • Above Leh in the Indus Valley, LadakhCanon A1, 28mm, Kodachrome 64
  • In the Indus Valley near Thikse, LehCanon A1, 135mm, Kodachrome 64
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • In the library at Karsha Gompa, ZanskarCanon A1, 50mm, Kodachrome
  • At Hemis Gompa, LadakhCanon A1, 50mm, Kodachrome
  • The Potala-like residence of the Ladakhi royal familyCanon A1, 50mm, Kodachrome 64
  • The Potala-like former residence of the Ladakhi royal familyCanon A1, 50mm, Kodachrome 64
  • The highest peak in Ladakh, seen from the Zanskar Valley near RangdumCanon A1, 28mm, Kodachrome 64
  • Telephoto at Sunset from near Rangdum, ZanskarCanon A1, 135mm, Kodachrome
  • Rock formations in Kashmir, IndiaCanon A1, 135mm, Kodachrome
  • Canon A1, 50mm, Kodachrome
  • Sunset spectacle!Canon A1, 28mm, Kodachrome 64
  • At Wanla VillageCanon A1, 50mm, Kodachrome 64
  • The future Buddha, at Thiksey Gompah, LadakhCanon A1, 50mm, Kodachrome 64
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • South of the Kanji La, ZanskarCanon A1, 50mm, Kodachrome
  • Zanskar, IndiaCanon A1, 50mm, Kodachrome
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • A man and his children in the fieldsCanon A1, 28mm, Kodachrome
  • Canon A1, 28mm, Kodachrome
  • Summit telephoto from near Rangdum in the Zanskar valleyCanon A1, 135mm, Kodachrome
  • Near Rangdum Canon A1, 28mm, Kodachrome
  • The Gompa is visible in the distanceCanon A1, 28mm, Kodachrome
  • At Rangdum VillageCanon A1, 50mm, Kodachrome
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • Zanskar, IndiaCanon A1, 28mm, Kodachrome
  • Zanskar, IndiaCanon A1, 135mm, Kodachrome
  • Children in the villageCanon A1, 28mm, Kodachrome
  • Flowers in the valley below the passCanon A1, 28mm, Kodachrome
  • The crest of this 4850m pass, looking southCanon A1, 28mm, Kodachrome
  • Canon A1, 135mm, Kodachrome
  • A young Zanskari boy wearing the distinctive yellow cap of the Gelukpa Buddhist sectCanon A1, 50mm, Kodachrome 64
  • A novice monkCanon A1, 50mm, Kodachrome 64
  • Canon A1, 50mm, Kodachrome 64
  • Canon A1, 28mm, Kodachrome
  • My Kashmiri crew on the trek from Leh to ManaliCanon A1, 28mm, Kodachrome
  • Canon A1, 50mm, Kodachrome 64
  • Canon A1, 50mm, Kodachrome 64
  • From a house boat on Dal Lake, KasmirCanon A1, 28mm, Kodachrome
  • From a houseboat on Dal Lake, KashmirCanon A1, 28mm, Kodachrome
  • With his son Ayub and a cousin, on the houseboat Rolex, Dal Lake, SrinagarCanon A1, 50mm, Kodachrome 64
  • In the Lidder Valley, KashmirCanon A1, 50mm, Kodachrome 64
  • At Lidderwat, KashmirCanon A1, 50mm, Kodachrome 64
  • Women crossing the Lidder riverCanon A1, 135mm, Kodachrome
  • Near Lidderwat, KashmirCanon A1, 28mm, Kodachrome 64
  • In the upper Lidder Valley, KashmirCanon A1, 50mm, Kodachrome 64
  • Trekking through alpine meadows on the way to Gangabal Lake and KrishensarCanon A1, 28mm, Kodachrome 64
  • On Dal Lake, Srinagar, KashmirKodachrome 64, Canon A1, 135mm
  • Thunderheads catching the rays of the setting sun over Dal LakeCanon A1, 50mm, Kodachrome 64
  • Late afternoon light, SrinagarCanon A1, 28mm, Kodachrome
  • Painted on a temple wall at Manikaran in the Parvatti Valley, Himachal PradeshCanon A1, 50mm ,Fujichrome 100
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